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A Night in the Desert

48 months of surgical practice. Then the Sahara — not to escape, but to return to something true.

· Updated 29 March 2026

48 months. No real pause. Then I went to the Sahara — not to escape, but because I needed to stop and listen to myself again.


Stepping Back is Not Giving Up

I didn’t run from the work. I chose to stop before the work started running me.

There’s a difference between breaking down and stepping back. One happens to you. The other is a decision. I needed it to be a decision.


What I’d Been Carrying

The fatigue was obvious. What I hadn’t fully admitted: the emotional weight.

Resentment I never named. Friction I kept absorbing. The quiet politics of a surgical unit — the management dynamics, the peer positioning, the things nobody says out loud but everyone feels. I carried all of it. Processed none of it.

Morocco was where it started to lift. The Sahara, specifically.

The Berbers navigated by stars because there was nothing man-made to orient by — no landmarks, no signals. Only what was fixed. Only what lasted. Sitting under that same sky, I felt the things I’d been treating as urgent stop feeling that way.


The Permission to Be Still

I’ve always respected practitioners who built fallow periods into their lives — not laziness, but deliberate stillness. Space for the mind to integrate what constant output prevents it from processing.

48 months of output. This was my pause.

What comes next — the clarity, the better decisions, the next chapter — will come from a steadier version of me than the one who left.


Absence Has Its Own Weight

Four years of always being present. Stepping away, even briefly, reminded me of something I’d forgotten: my value isn’t just in showing up. It’s in what I bring when I do.

The man who came back from the Sahara was not the same man who left.


Sitting With It

The desert night was cold. Disorienting. Vast. Nothing about it was comfortable.

I stayed anyway.

That was the real training. Not the gym. Not the content I consume.

Sitting in the dark — and choosing to look up.